2020年10月5日 星期一

Film Art: An Introduction (12th Edition )

 

By David Bordwell and Kristin Thompson and Jeff Smith 

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell, Kristin Thompson and now, Co-Author, Jeff Smith's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by examples from many periods and countries, the authors help students develop a core set of analytical skills that will enrich their understanding of any film, in any genre. In-depth examples deepen students' appreciation for how creative choices by filmmakers affect what viewers experience and how they respond. Film Art is generously illustrated with more than 1,000 frame enlargements taken directly from completed films, providing concrete illustrations of key concepts. Along with updated examples and expanded coverage of digital filmmaking, the twelfth edition of Film Art delivers SmartBook, first and only adaptive reading experience currently available, designed to help students stay focused, maximize study time and retain basic concepts. 

 

Part 1 Film Art and Filmmaking

1. Film as Art: Creativity, Technology, and Business 


Part 2 Film Form

2. The Significance of Film Form 

3. Narrative Form 


Part 3 Film Style

4. The Shot: Mise-en-Scene 

5. The Shot: Cinematography 

6. The Relation of Shot to Shot: Editing 

7. Sound in the Cinema 

8. Summary: Style and Film Form 


Part 4 Types of Films

9. Film Genres 

10. Documentary, Experimental, and Animated Films 


Part 5 Critical Analysis of Films

11. Film Criticism: Sample Analyses 



Part 6 Film Art and Film History

12. Historical Changes in Film Art: Conventions and Choices, Tradition and Trends 

Additional chapters available through McGraw-Hill Education's Create:


Film AdaptationsWriting a Critical Analysis of a Film
Additional Resources for Film Art

Glossary

Credits

Index

 

2020年3月2日 星期一

Dynamics of News Reporting and Writing: Foundational Skills for a Digital Age

 

 

Journalists in today's media environment require a skill set that can be adapted to a variety of media. Dynamics of News Reporting and Writing: Foundational Skills for a Digital Age teaches students the foundational skills they need to successfully report and write the news in an evolving digital landscape. Author Vince F. Filak offers guidance on the essential skills of the industry while weaving in the "how-to's" of writing digital news. Recognizing that well-crafted stories are founded on sharp prose, this new text covers the foundational elements of newswriting, such as lead writing, structure, and storytelling while also teaching students how to think critically and determine what matters most to their readers.


Key Features:


An audience-centric approach encourages students to understand why and how news is relevant to the lives of their readers before they even start digging into their stories.

"Write Now! Exercises" provide students with an opportunity to immediately practice the core set of skills they have just learned and apply these skills to various platforms.


"Consider This" debates spark classroom discussions by encouraging students to take a closer look at a current issue or ideological dilemma and make a valid case for their position.


"Thoughts from a Pro" offer students an up-close look at a specific aspect of reporting and writing from a professional who is plying their trade each day.

 

Table of Contents

Chapter 1: Audience-Centric Journalism 
Chapter 2: Critical Thinking 
Chapter 3: Basics of Writing 
Chapter 4: Expanded News Writing 
Chapter 5: Social Media 
Chapter 6: Interviewing 
Chapter 7: Basic Reporting: News That Finds You 
Chapter 8: Beyond Basic Reporting: News You Have to Find 
 Chapter 9: Broadcast-Style Writing and Voicing 
Chapter 10: Collecting Audio and Visuals in the Field 
Chapter 11: Editing Audio and Video 
Chapter 12: Law and the Media 
Chapter 13: Ethics


2019年7月2日 星期二

Shooting Better Movies :The Student Filmmakers Guide book



A one-stop film school, this book is packed with information, tips, techniques, and advice covering all aspects of filmmaking as gathered from the author's years of experience working in short films, features, commercials, and music videos, as well as delivering workshops and lectures to film students of all ages.

Everything you need to know - from generating an idea to delivering a finished film - is laid out in an informal and easy to read style. Find everything from script formatting, choosing lenses, and location scouting, to where best to put the camera to film your scenes, working with actors, recording sound, and editing your shots.

2019年3月5日 星期二

Introduction to Mass Communication


According to the author, the world did not need another introductory text in mass communication. But the world did need another kind of introductory text in mass communication, and that is how Understanding Media and Culture: An Introduction to Mass Communication was birthed.
The only question was: What would be the purpose of another introductory mass communication text?
Understanding Media and Culture: An Introduction to Mass Communication was written to squarely emphasize media technology. The author believes that an introduction to mass communication text should be a compelling, historical narrative sketching the *ongoing evolution* of media technology and how that technology shapes and is shaped by culture — and that is what he set out to deliver with his new textbook.
Today's students are immersed in media technology. They live in a world of cell phones, smart phones, video games, iPods, laptops, Facebook, Twitter, FourSquare, and more. They fully expect that new technology will be developed tomorrow. Yet students often lack an historical perspective on media technology. They lack knowledge of the social, political and economic forces that shape media technology. This is not knowledge for knowledge's sake. It is knowledge that can help them understand, comprehend, appreciate, anticipate, shape and control media technology.
With this focus, Understanding Media and Culture becomes an appropriate title. Indeed, the title has particular significance. Marshall McLuhan's Understanding Media is a key text in media studies. Written in the 1960s, Understanding Media was the subject of intense debates that continue to this day. Its central message was that the technology of media — not their content — was their most important feature. In a typically pithy phrase, McLuhan said, "The medium is the message." The title, Understanding Media and Culture: An Introduction to Mass Communication, situates the introductory text in a large, engrossing theoretical conversation.
The goal is to adopt a textbook that will support and complement your teaching of this course. Understanding Media and Culture: An Introduction to Mass Communication will support an engaging and interesting course experience for students that will not only show them the powerful social, political and economic forces will affect the future of media technology, but will challenge students to do their part in shaping that future.

2018年6月20日 星期三

TED Talks: The Official TED Guide to Public Speaking


Great talks can spread powerful ideas, allowing you to inspire people, share knowledge/insights and spread your vision. When you combine public speaking skills with the power of the internet, you can multiply your reach and impact large numbers of people. In TED Talks, the head of TED presents various insights and tips that anyone can use to improve your public speaking skills. In this TED Talks summary, we’ll outline some of the key ideas in 4 parts: building the right foundations, developing your ideas, preparation and delivery.


Public speaking makes everyone nervous to some extent. The good news is, presentation literacy can be learned. Many famous personalities like Eleanor Roosevelt, Warren Buffett and Princess Diana all started out being terrified of public speaking, but managed to overcome their fears or even harness it to improve themselves.
Anderson recommends that you treat the tips in this book as tools (not rules) to develop your own unique style of public speaking.
PART 1
The most crucial thing in a great talk is to have an idea you care about that’s worth sharing. It can be anything that changes how someone sees the world, from a how-to tip to a reminder of what truly matters. When you share an idea that changes others’ mental models, you’re giving them a lasting gift. And the truth is, every one of us has worthy insights based on our unique experiences. Anderson urges each of us to take the time to reflect on our personal journey, our unique insights and what we truly care about.

Build your Throughline

A key idea is to build a throughline, i.e. a core theme that connects all the components of your talk into a coherent overall picture. All great movies, plays or novels have a throughline. It’s like having a rope where you can hang each new element that you present, or having a path upon which the audience can follow you to a specific destination. It gives people something to think about and should be captured in no more than 15 words, e.g. “More choice actually makes us less happy”. Find your throughline, then build your talk around it
At the end, a great talk is about sharing with authenticity. Don’t try to be someone you’re not or to impress the audience with a fake show. In the TED Talks book and our full 16-page summary , we go into more details on (a) how to build a throughline, (b) adopt the right approach and (c) 4 common mistakes to avoid at all cost.
PART 2
Once you have a throughline, you can start to build the elements to hang on it. Here’s an overview of the 5 core tools you can use to develop your idea.

Connection

Before you can build an idea in someone’s mind, you need their trust and permission. Seek to build a bond asap with the audience so they’d be open to what you have to say.  In the book / full summary we zoom in on how exactly to do that (including tips on how to make eye contact, show vulnerability, inject laughter etc.)

Narration

Since the days of our cavemen ancestors, stories have been used to bring people together, help people to dream, imagine, connect and understand one another. In the book / complete summary we touch on the 4 components to build into your story to make it compelling.

Explanation

If you need to explain something complex or technical, always start with what people already know and build from there. In the book / full summary we elaborate on what it means to build understanding like a hierarchy, with each layer constructed on a previous one.

Persuasion

Sometimes, before you can explain a new idea, you need to first demolish existing concepts that are wrong. Persuasion is about getting the audience to realize that their current view of the world isn’t quite right, so they’re open to an alternative viewpoint. In the book / full summary we look at some tools (e.g. priming and reasoning) that you can use.

Revelation

The most direct way to convey an idea is to simply show it. In the book / complete summary we explain 3 approaches (a wonder walk, demo or dreamscape) that you can mix and match to lead up to a sensational revelation.
PART 3
Great talks don’t just happen. They come with loads of prior preparation. We’ll take a detailed look at one of these areas (how to use visuals effectively).  Do check out the book / complete 16-page summary for the other tips.

USING VISUALS EFFECTIVELY

• Visuals (photos, illustrations, graphs etc.) are not always essential. In fact, bad slides can actually hurt your talk. Use visuals only if they’re truly necessary and will make your talk more effective.
• Generally, there are 3 ways to add value with visuals: (a) Reveal something that’s hard to describe in words, (b) explain or enhance your show-and-tell (limit each slide to 1 core idea with only a short phrase, question or an image + switch to a blank screen when you’re not referring to your slides) and (c) delight your audience by adding aesthetic appeal.
• The book includes many presentation tips on software, fonts, legibility, to-dos and not-to-dos, such as:
(i) Be original. Avoid standard presentation templates.
(ii) Use high-res images on black background for the best effect.
(iii) Use 1 simple, easy-to-read typeface per presentation, with ≤3 font sizes and at least 24pt-size for all fonts. Avoid using italics or underline as they’re hard to read (bold fonts are ok).
(iv) Build up the content on each slide by adding words and images progressively.
(v) Use videos only if essential and keep them to <30s each.
(vi) Don’t use flashy transitions or animations that draw attention away from the talk/content.
(vii) Send your presentation in advance and save a backup copy of the presentation, fonts, videos etc. in a zipped folder in a USB drive.

OTHER PREPARATION TIPS

In the book / full summary we also elaborate on other important areas of preparation including:
• Scripting. One of the key decisions you must make is whether to use a script (here, we’ll look at the pros and cons of scripted vs unscripted talks and tips/strategies on how to make the most of either approach).
• Rehearsing. Regardless of whether you choose a scripted or unscripted approach, you must rehearse repeatedly. Your goal is to know your talk so well that you can focus fully on the meaning you wish to convey.
• Opening and Closing.Even if you’re not using a script, it’s a good practice to memorize the opening and closing lines for your talk to create the most impact. [Here, we’ll look at 4 ways to start strong and 7 ways to end powerfully]
PART 4
Now that you have a great idea (with a concise throughline and coherent parts) which you have prepared in detail, you’re now ready to deliver an amazing talk. The book / full summary includes numerous tips on what to wear, how to prepare your setup and your physical/mental space, how to use your voice/presence to deliver your message most effectively and creative formats you can consider to make your talk stand out even more.

Anderson believes that public-speaking skills will become even more important in the future as people and knowledge become increasingly interconnected. And, as you pursue greater purpose and meaning in your life, you’ll inevitably discover something worth saying. When you share such ideas with passion, conviction and authenticity in a connected world, there’s no limit to the amount of impact you can make.
Anderson also shares how TED is nurturing the talk renaissance, and urges every one of us to find and share our unique ideas to positively shape our world.
Besides the key ideas and tips outlined in our TED Talks summary, the book also includes other tips and details, such as:
• Quotes, examples and snippets from various talks and speakers; and
• Anderson’s personal observations, beliefs and hopes for the future.

2017年9月15日 星期五

Broadcast News and Writing Stylebook


Papper's Broadcast News and Writing Stylebook is the go-to handbook in broadcast news, and with the updates in the 6th edition, it is sure to continue this legacy. Through clear and concise chapters, this text provides the fundamental rules of broadcast news writing. It covers various fields across the board, including crime and government, weather, education, health, and sports. Within each field, readers learn the nuances of reporting, grammar, style, and usage. Written by a professional who has overseen major industry research for the past 23 years, this edition presents the data on news writing in a relevant and digestible manner. With the business of broadcast news changing rapidly, this text reflects the current news environment and explores where it will head in the future. With an expanded social media chapter and additional insight into the news rooms of today, Broadcast News and Writing Stylebook incorporates all the skills and knowledge reporters and journalist need to prepare for their careers.

2016年8月17日 星期三

Recommended books

Organizational Behavior and Management, 10th Edition



The authors' goal in writing Organizational Behavior and Management 10e is to improve students' ability to understand, interpret, and predict the behavior of people working in organizations. The book combines text, self-learning exercises, group-participation exercises, and cases in an integrated way designed to enhance learning and retention of organizational behavior concepts and skills. A solid research base and an appendix on research techniques make this book suitable for a graduate studies course.

The book is an excellent rescource for anyone wishing to improve their management skills. This resource gives insight to better understand and improve management skills for the purpose of benefiting a company and most importantly, those being supervised. Highly recommend this book to anyone who manages a group of people, whether a proffessional manager, school teacher,non profit leadership etc.

If you are interested in psychology and management, this book would be a good start.